Grausame Töchter and Vampyros Lesbos live in Nuremberg – Concert Review
- L7
- Nov 15
- 3 min read
Expectations
Two bands that never disappoint when it comes to creativity, provocation, and art. I had already seen Grausame Töchter and Vampyros Lesbos together about two years ago and was deeply impressed back then. When I heard they were returning to Nuremberg, there was no question — I had to go again.
Grausame Töchter is the project of Aranea Peel, one of the most creative artists in the German underground. She writes, designs, directs, and performs everything herself — from the lyrics and stage setup to the costumes, lighting, and choreography. It’s not just music; it’s theater, visual art, and shock performance all at once.
The venue, Der Cult, is a small club that looks like an old factory from the outside — industrial and dark, the perfect atmosphere for this kind of show. Inside, it’s cozy but intense, with a strong sound system that works perfectly for electronic and industrial acts. The crowd was friendly, engaged, and ready for a night of avant-garde shock art and heavy music.
And just to mention — the beer was Franziskaner Kellerbier, cost 3 euros, and was excellent. Simple, cold, and exactly what you want in a place like this.
Vampyros Lesbos
Vampyros Lesbos opened the night, and just like last time, they were the perfect introduction to what was coming. The duo, Ostara and Elisabeth, performed a mesmerizing industrial darkwave set that felt atmospheric and hypnotic.
Their sound mixes slow, steady beats with whispered vocals and cinematic textures — something between a nightmare and a dream. It’s music that feels like it belongs in a dark art film or a ritual.
The performance itself was fascinating. Their movements were perfectly synchronized, slow, ritualistic, and expressive. Everything felt deliberate, like a living piece of performance art. Their debut album came out last year, and a new one is expected soon — one of the members told me it’s planned for next year.
I can highly recommend checking them out live if you know what kind of show you’re going into. It’s not your typical concert; it’s an immersive experience. And if you’re new to their sound, start with their album — it’s perfect background music for when you want something dark and atmospheric.
Grausame Töchter
Then came Grausame Töchter, and as expected, Aranea delivered a show that blurred the line between concert and theater. The performance was bold, provocative, and full of artistic expression.
The lineup included Aranea herself plus three other performers — two returning members and one new face. The visual elements were intense: BDSM-inspired costumes, fetish aesthetics, and nudity as part of the performance — always tied to the band’s message about freedom, sexuality, and power.
The set lasted around 25 songs, covering most of the new album and many older fan favorites. The sound production was excellent, especially for such a small venue. You can tell that Aranea and her team do almost everything themselves, from writing to mixing to visual concept — and it shows in the precision and passion of the performance.
There were also guest moments when Ostara and Elisabeth from Vampyros Lesbos returned to the stage to join parts of the act. The combination of both acts together gave the evening a very theatrical and surreal feeling — like watching an industrial opera unfold right in front of you.
Merch
Merch for both bands was beautifully prepared. Shirts were 30 euros each. I decided to go for the new Grausame Töchter album, which came signed by Aranea, plus a signed poster. I also bought a Vampyros Lesbos poster, since I already had their album.
The posters were striking — especially the one of Aranea with the red background. All of it felt personal, hand-touched, and made with care — something rare these days.
Final Thoughts
Grausame Töchter once again proved why they’re one of the most unique and fearless live acts in Germany. The creativity, the theatricality, and the sheer emotional power behind Aranea’s art are unmatched.
Vampyros Lesbos were the perfect complement — slow, haunting, and deeply atmospheric, a calm before the storm that is Grausame Töchter.
If you enjoy dark art, industrial, and performance-driven shows, this combination is absolutely worth seeing. If they come near you — go. It’s an experience you won’t forget.
