Till Lindemann live in Munich – Olympiahalle Concert Review

L7
3 days ago
4 min read

Expectations

Another night, another stop on this year’s Till Lindemann tour — and this time it was Munich.This show marked my fifth Lindemann concert on this new tour, and counting the Festival show in Uelzen, it was actually my sixth time seeing him this year. By now I know the show very well, but every city adds its own energy, and Munich is always a highlight on any tour for me.

Arrival, Merch & Beer

This time I bought something from Aesthetic Perfection at their table. The guitarist (Noizith) was selling merch after the show and taking selfies, signing items and chatting with fans. She is incredibly kind and full of energy — a very talented musician and performer. I picked up their small merch bundle with autograph, sticker and pick.

The usual Lindemann merch was also available:

Tour shirt: 45 euros, same design as Frankfurt, very good quality
The fish: still everywhere — and I’m getting constant messages asking if they’re still in stock. Yes, absolutely. There are tons of fish at every show. I’m even considering doing a giveaway at the end of my personal tour run.
Pins: 10 euros
Keychains: 15 euros

A new item appeared in Munich that I didn’t see in the other cities: a black jacket with a Lindemann patch.It cost 100 euros, that’s not a bad price at all — especially if you compare it to some bands where even a hoodie costs 100 euros.

The tour cups were the same designs as always, this time again in 0.5 L size. Leipzig and Frankfurt had 0.4 L, but Munich matched Dortmund, Düsseldorf and Hamburg with 0.5 L cups.

Beer was Löwenbräu, priced at 6.50 plus 3 euros pfand (so 9.50 euros total).

Aesthetic Perfection

I’ll say it again: this tour is the best Aesthetic Perfection has ever sounded to me.Their show hasn’t fundamentally changed, but something about the mix, the energy and the crowd reaction makes it hit differently this year.

When you stand at the very front, the sound is powerful and clean, and the atmosphere is great because the people in the Golden Circle are usually fans who actually want to see the opener.

The two women in the band — Noizith on guitar and the keyboardist — bring a lot of character and movement to the performance. I always notice how much fun the keyboardist seems to have on stage, her energy and smile really add to the show.

Overall, a very enjoyable act to watch live again.

Till Lindemann

For this show, I had Golden Circle again.We arrived around 17:00 and were only about seven people from the front of the line. Entry was fast and smooth for us, and we ended up in the third row, which was perfect. I usually prefer standing a bit further back to see the full stage, but for this tour, front row energy works surprisingly well because the videos are less dominant than on previous tours.

I did see comments afterwards from people who experienced slow entry and even missed part of Aesthetic Perfection because of long lines. I cannot judge it because I had no issues, but apparently some entrances were problematic.

From the front, the audio was excellent, and I enjoyed this show more than any other Lindemann concert this year.

Till’s voice was fully recovered.In Düsseldorf he sounded tired on some songs, which was understandable after the Paris dates, but in Hamburg he already improved a lot — and in Munich he was in top form again.

For me, this was one of the strongest vocal performances of the tour so far.

The show itself is identical every night — 18 songs, always the same set, perfectly timed and synchronized. Some people keep messaging me saying he played shorter sets in some cities, but that’s simply not true. It’s always the same length.

The stage itself is simpler than previous tours, with fewer “crazy” videos and more focus on the band and dancers. And honestly, it works. All new members are fantastic:

Momo on bass, very charismatic
Brynn on keyboards and pole dancing — absolutely phenomenal
Andrea & Luisa, the dancers from The Sinderellas (not Cinderella), adding theatrical movement
The usual band members Joe (drums), Emily (guitar) and the third guitarist

Joe is still one of the highlights of the whole show. His drumming is not only technically strong, but the way he acts and moves gives the songs an extra emotional punch. He constantly throws sticks in the air, plays aggressively and theatrically — from close up you really see the intensity.

My highlights remain the same: